For those unaware, there is a rather large fire afflicting my area at the moment. The "Station Fire," as it is known, has covered well over 100,000 acres of the LA National Forest, causing a great deal of ash, smoke, and general discomfort to the residents of the greater Los Angeles area. Being that I am located right next to a set of "buffer mountains" on the Eastern side of Burbank, I am luckily not in direct contact with the fires, though I tend to be first up when the smoke vacuums into the San Fernando Valley.
The fire itself has presented an odd set of circumstances in my life and career in general. After over a year at Warner Bros. Tours, I am quite ready to start looking elsewhere. While I would prefer to find a position somewhere on the lot or in a casting office (I recently nabbed a ton of numbers from our directory of production companies to apply with), I have grown an increased interest in my photography as a viable option. As some readers may have noticed, this tends to happen a lot and often comes in waves like the salty sea, but previously I never saw my photography to be anything more than a hobby or pipe-dream at best. Then came this blaze out of nowhere and, like the trees and homes afflicted, my interest was lit again. And, so I went, out to capture photos of the event.
I suppose this makes sense in the overall look of things. I'm sure at least of a few of my scant crowd of followers have noticed leanings toward street photography or photojournalism lately. Aside from the Dorothy set with Jules, I haven't really done a whole lot of "studio" work in awhile. A large contributor to that problem is simply a lack of space and equipment. I do not have a work-area or studio, nor do I have any lighting rig to speak of. I have my camera and a 28-135mm lens. If I need headshots, I can break out a remote shutter. Beyond that, I'm extremely limited in capacity. While I still want to offer studio services (gotta pay the bills, after all), photojournalism does not require the greatest deal of equipment and can actually be hampered by anything more than a couple of mobile bags. When I first started getting into this art over 5 years ago, it was simply a medium so I could capture life around me. I seem to have returned to that mindset after a long hiatus of carefully planned photography with results few and far between. I'm actually enjoying going to Venice Beach or Hollywood and just snapping away without having to spend an hour on setup.
Really, the idea that a forest fire could reignite my love of natural photography is almost prophetic. The entire reason I wanted a camera in the first place was actually a field fire back in my time in Missouri. I was coming home late after a party. The road back was encroached by darkness on either side, and the sky overhead was clear with shadows of clouds dotting about. I took a turn and came upon a giant field dotted with bonfires. It was rather common for farmers to burn off their fields to make way for new crops, as well as replenish nutrients into the ground, but I had never seen it done in person, especially that close. With all of the bonfires out and about surrounded by nothing but night sky, it looked very much like something you'd see outside the City of Dis within Hell itself. And the only thing I could think was "I really wish I could take a photo of this." I bought a camera the next week, on July 1st, 2004.
Now, the fires are larger, and I've had to upgrade to a larger camera to keep pace. I have no idea how to get into the business of Photojournalism, however, what with having never taken a single class on photography. The Station Fire has been a good test on getting onto the scene of big events (although, as you may have noticed, I'm failing that test, hence the lack of photos on dA of the fires). I'm going to start keeping an eye out for openings in local newspapers and magazines because I honestly think that after 5 years, photography is a viable career option. Or, at the very least, it's a flexible option that I can handle on my own that would also allow me to make it to auditions.
If anyone has need of some photos for press, keep an ear out for me! It's good to be excited about art again! I'll be working on a few projects that will hopefully be submitted to National Geographic's International Photo Contest 2009, so I should have a decent influx of new devs in upcoming months. Make sure and check out my "MyShot" page on Nat. Geo's website. The link is
here. I've also added it and redone the links at the bottom of every journal!